MY DEVELOPMENT MANIFESTO
When Houston experienced its initial oil boom at the early
20th century, it was the matrons of the wealthy oil families that were
instrumental in bringing art and design to consideration of value in booming
Houston. Ima Hogg, the never married daughter
of one of the Governors of Texas, was one of the most well-known to encourage art
and culture in early Houston. She was a generous
and prime donor to the arts, including the Houston Museum of Fine Arts . She and other female socialites with appreciation
for the finer things in life brought a bit of civility to the developing
Houston that otherwise may have been oblivious to the benefit of the introduction
of culture. Houston can look back in
appreciation for the efforts of Ima and others who catalyzed the Houston arts
scene.
In the market economy
wherein we thrive today, promoting creativity is as important as ever. It is still considerations for the virtues
such as art, culture, and design that add a bit of interest and charm to the
otherwise purely engineer-centric structures around us. Good design creates more attractive
communities and adds quality of life. Unfortunately “function” and “status quo” seem
to often be the standard of residential and suburban design and structure. It was noted on NPR that Houston still lags
far behind most, if not all cities when ranked on quality of life. Noted Rice University sociologist Stephen
Kleinburg said: “This city has no prayer of making it as a major city in the
21st century economy if it is perceived by people outside Houston to be not
only flat and hot for much of the year but also ugly and dangerously polluted.
Forget it. And the business community knows that. We all know that.” (http://app1.kuhf.org/articles/1364465621-Rice-Sociologist-Improving-Quality-Of-Life-Crucial-For-Houstons-Economic-Future.html
) Mr. Kleinburg goes on to talk about
how one of the recent upgrades to the city in the effort to transform our
solely functional concrete bayous into “linear parks” is an effort in the right
direction. This specific re-development
has a price tag of nearly $250 million dollars, and one cannot help but wonder
why the option for a dual use was not even considered when the initial plan was
in development. How much money could have been saved without the cost and
effort to change something from functional to beautiful and functional? Despite this seemingly easy lesson to learn,
we seem to repeat ourselves in the design of too many elements of our
communities where adding aesthetic and charm is at best an afterthought, if
taken into consideration at all.
Ultimately much that is interesting or beautiful is not
considered to be justified by “the bottom line” by those who run the markets,
and thereby not included. In my opinion, the greater Houston market has become conditioned
and satisfied with aesthetic mediocrity.
From a seller’s perspective, if the demand is satisfied with pure
functionality, why add anything more?
Give the minimum required but not an iota more… Now that is probably a
bit of an exaggeration, but not much.
Just as noted by Mr. Kleinburg, there is an obvious deficit in the
aesthetic of Houston, especially when compared to other cites.
Here is the
solution We to tap into power, persuasion
and social force of the members of our community who more resemble the persona
of Ima Hogg. Members of our society who have
an appreciation of quality design, artistic communication, and intrinsic
beauty. Members who have the social weight as well lead the effort to adjust
the dialogue. Members who recognize that good design has
value, and will provide a strong return on investment. And note that many, perhaps most, though not
all, of the members of this social force are women.
As I have worked on the business plan for thoughtful design
centered development, I have hit many roadblocks from lenders, investors and
banks. What is most interesting are some
of the side comments that are made during the conversation. The
roadblocks are often paired with some type of offhand comment about building with
the effort to creating “standard proven tract home communities”, or working
with a “large production home builder” as the direction I inevitably must be
aiming for if I want to be successful in this endeavor. This assumption to me is humorous as if this
is the only track to success because it’s simply following the track that
everyone always takes… That’s kind of
the exact opposite I am going for and I will never be able to explain this to
someone who cannot look outside the proverbial box of “if its not broke, don’t
fix it.”
This approach is understandable, but it is also
unfortunate. Consider the following as a
comparison While we are on the brink of amazing technological breakthroughs in
electronics, communication, and transportation, the product of “neighborhood”
and “community” has evolved into a “fast food joint” type of business. Our homes, which our typically our most
expensive purchase, can be compared to a processed assembly line production. Even
many of the expensive tract home builders, are still production
builders—perhaps more of a “Olive Garden” than an McDonalds, but nonetheless
not a home that is made to reflect the people who live inside. These places are consistent, functional, and not
bad, but not memorable, nostalgic or timeless.
Ultimately we are missing opportunities for innovation and the creation
of tomorrows classics today.
In complete disclosure, let me clarify what I propose as an
alternative. I am going to respectfully copy
someone elses ideas. Multiple ideas from
various other developers and designers. That may sound hypocritical considering the
previous rant, but we do not have to reinvent the wheel here. Many other
communities are great at designing attractive neighborhoods with a timeless
quality. And many of these developers
innovate some modern considerations on some already proven timeless designs. I propose
that good ideas, proven from other developments and endeavors, incorporated locally
with local flavors, artists, and implementations will sell, excel, and become
an iconic destination representing the greater community stand equal or above
any surrounding development. Slight modification and evolution on a proven idea
is my formula for success in this endeavor.
A bit of review will find that most if not all of my proposed
implementations can be seen successfully implemented in established designer
communities. The home designs will reflect considerations proven in Seabrook
WA, the Florida Panhandle, and even the Houston Heights. The sustainability efforts will reflect
efforts already proven in Las Vegas NV and Portland OR. The community activities focused around an
agrarian element will mirror that which is seen in Serenbe GA and Prairie
Crossing IL. The combined harmonies of
proven community implementations will create a iconic community that will be
not only completely unexpected for the Houston Metroplex, but ultimately revered
and praised…Just as were the originally undervalued efforts of Ima Hogg.
This proposal will take work, dedicated oversight, and strong
values in the face of many who will not get the vision and question the
validity of the effort. My team needs to
not only have the vision, but own it. They
need to believe it in the effort and act in their role as if the success of the
entire project hinges on their individual action. This will be an effort that will be exciting,
fulfilling, attention grabbing, community changing, and financially lucrative.
It will succeed because we will meticulously plan, tirelessly execute, and
generously compensate. It is going to
change everything.
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